Tuesday, July 21, 2026

Interview with Aida Salazar, author of STREAM

Hi, everyone! Today I have the pleasure to share with you an interview with Aida Salazar, author of STREAM. The book was published on June 2, 2026 and Scholastic gave me the opportunity to interview Aida.
Synopsis

Newly graduated 8th graders Celi and Elio don't know each other, but after a catfishing incident in their Oakland, California community goes viral, both sets of parents discover their recent screen overuse. Independently, they have the "brilliant" idea to ship the kids off to the same rancho in Mexico for two months, thinking it will help them detox from their devices and reconnect with themselves.

In the middle of nowhere-without internet, electricity, or even running water-the two meet and bond over their miserable Celi is forced to spend her days helping in a primitive healing clinic with her eccentric tías while Elio carts sticks and logs to rehabilitate a river. But day by day, amidst the stark beauty and cultural richness of rural Mexico, with crushes blooming, Celi and Elio each shed a little of their online selves and begin to understand what it means to embrace nature, connect to culture, and cultivate authenticity.

Featuring the main characters from Aida Salazar's award-winning novels Ultraviolet and The Moon Within, Stream crackles with humor, wisdom, and relatable themes. It speaks directly to teens and will make them feel seen.

If this book sounds like something you would enjoy, be sure to add it to you TBR!
Aida Salazar's interview

Photo by Lluvia Higuera


Hola, Aida! STREAM explores themes such as caring for nature, the influence of social media, online safety, and the importance of human connection. How do you think living in the digital era has changed the way we relate to each other and to the environment?

It was extraordinary to witness first-hand how my own children changed dramatically during the pandemic. They had been homeschooled mostly and only given very little access to screens but with the pandemic, that had to quickly change because technology became their only connection to their friends and the outside world. They would spend hours online and because I felt I didn’t want them to be deprived of connection, we allowed it not knowing how harmful it actually was. Then, some of their friends got into serious trouble because of screens – everything from ignoring previous passions, depression, being catfished, and even self-harm. When the pandemic waned, their addiction to screens did not. It was only when they were in nature that I felt like I got my teens back. They were present, they were filled with wonder, lighter, and more connected to the environment (the birds, the trees, the water, the land) and especially connected to us and other people. As I did research, being in nature came up time and again as an antidote to overconsumption of screens. It regulates our nervous system and does wonders for our mental and physical health. There is a thing called forest bathing where you simply walk through the forest, for instance, and this is super healing. I wrote STREAM so as to offer this sort of medicine to youth. Of course, I had to do it in a way that was engaging and funny for this age but that also totally devastated the characters because withdrawing from any addiction is real. The hope for the story is to show how messy it can be to recover yourself from anything that takes over you, but in this case, through nature, is something we all should be aware of and turn to as a strategy for wellness.  

 

One of the things I loved most about STREAM is the inclusion of different cultures, traditions, and identities. Representation can help readers feel seen while also introducing them to experiences different from their own. Why was it important to you to include this into the story, and what do you hope readers take away from it?

I turn to my lived experience again, here. My children are mixed race and of mixed ethnicities with Puerto Rican, Cape Verdean, and Mexican blood. The streams of Africa, Indigenous America, and Europe inform their identities. Being of Latin American descent this is the reality for many people because of the nature of colonization. My kids and I were avid readers of children’s literature and it was very rare for them to see themselves reflected in any of the books we read. I wanted to contribute to literature that would change that. I am also constantly seeking to find information that has been lost to colonization. It is important for me to recover and reclaim this ancestry so as to heal from the violence of erasure or loss. Learning the roots of my ancestry, however complicated or unpleasant, helps me feel more whole as a person. I impart what I’ve learned with my readers with the hope they too can feel whole and nourished by this knowledge. 

Elio and Celi are connected in several meaningful ways throughout the story. Was there one particular connection or shared experience that you hoped readers would carry with them long after finishing the book?

I immersed Elio and Celi in a love triangle only as a trojan horse to their discovering who they were in their own bodies, hearts, and minds. Self-discovery often happens when we are in relation with others. The mistakes we make, the assurances of what we need, and what we like can all be found as we navigate relationships. However, if we can have moments and space to reflect who we are, something deeper is uncovered. Defining who you are without any of the crutches of screens or other people and through self-awareness will serve anyone at any stage in their lives. When done when young, it can help you avoid being led astray and will help you find your moral compass and your own guiding light to follow regardless of what others might say or behave. I want all of us to have this sort of fortitude.


I'm a big fan of novels in verse. How does your creative process differ when writing a verse novel like STREAM compared with writing prose? What draws you to storytelling through poetry?

I am both a poet and a storyteller and so, writing novels in verse is an ideal home for me. Here, I am able to bring the best I know about writing poetry (the art of language) with the best I know about prose storytelling (a plot-based journey of a character or set of characters) to create a tapestry. Each woven thread creates different shapes and colors, deepens meaning, and is able to become one beautiful whole. I use poetic techniques such as figurative language, imagery, music and rhythm when crafting the story so it is told artfully and of course, with economy or using the fewest possible but precise words. 


I am never too far away from poetry as the prose I write is usually infused heavily with poetic technique. Striving for art on the level of the line informs my style and anything I write as an author. 


Many of my blog readers are passionate book lovers and members of book club. If STREAM were being discussed at a book club, what's one question you would hope readers would ask each other?

Love this question. I would actually ask a series of related questions. What is my own relationship to screens? What does my body/mind feel when I overdo it? What analogue thing makes me feel as alive as when I am in front of a screen/app? 


And, just for fun, name 5 random facts about you.

I love to garden. I cure my own herbs to use medicinally. I am the middle child of seven. I want to have a dog. I’m told my cooking is delicious. 


This was so fun! Thank you so much for your time, Aida! It was a pleasure having you on my blog. Thanks again to Scholastic for giving me the awesome opportunity to do this interview.



More about the author
Aida Salazar is an award-winning author and arts activist whose writings for adults and children explore issues of identity and social justice. She has written several multi-award-winning middle-grade verse novels, including The Moon Within, Land of the Cranes, and Ultraviolet, an ALA Notable and Pura Belpré Honor Book. Her acclaimed picture books include the Caldecott Honor Book Jovita Wore Pants: The Story of a Mexican Freedom Fighter, illustrated by Molly Mendoza, and In the Spirit of a Dream: 13 Stories of American Immigrants of Color. Salazar lives with her family of artists in Oakland, California.

Saturday, April 26, 2025

Interview with Yamile Saied Méndez, author of The Trouble with Sunshine

Hi, everyone! Today I have the pleasure to share with you an interview with Yamile Saied Méndez, the author of The Trouble with Sunshine. The book was published on March 4th, 2025, I absolutely loved it, and Scholastic gave me the awesome opportunity to interview Yamile.
Synopsis

A heartwarming story about grief and new beginnings, by Pura Belpré Award-winning author Yamile Saied Méndez.

THE TROUBLE WITH SUNSHINE IS IT COMES EVEN IF YOU THINK YOU DON’T DESERVE IT.

Dorani's mom, Isa, taught her to be bold and challenge the rules if they don’t seem fair. People are more important than rules. But she never taught Dorani how to do it all without her. So, when Isa dies on the way to speak with the principal about Dori's latest revolution, Dori loses her voice. Her grief and guilt become the loudest parts of her.

Moving from vibrant Miami to quiet, middle-of-nowhere Wyoming with her aunt feels like the punishment she deserves. She spends most of her time with their newest horse, Sunshine. Sunshine was involved in an accident that's left her skittish and hard to care for. Tia Ivette knows her behavior comes from fear, and she is trying everything to make Sunshine brave again.

But Dori knows grief can feel like fear… and grief is just love with no place to go.

Speaking up for Sunshine reminds Dori that the very best parts of her mother live on through her, and so when she starts to notice that the rules at her new school unfairly target specific students, she knows just want her mother would do…

If this book sounds like something you would enjoy, be sure to add it to you TBR!
Yamile Saied Méndez' interview

Photo by Laura Kinser


Hola, Yamile! How was the creative process behind The Trouble with Sunshine and what inspired you to write it?
Hola, Mariely! I’m so excited for this opportunity to talk about The Trouble with Sunshine, which is a loose retelling of one of my favorite books ever, Heidi, by Johanna Spyri. Instead of the Swiss Alps, I chose Wyoming for my Miami girl, and instead of goats, I have her Sunshine, the horse of my dreams. Dorani is named after a good friend of mine.   

 

As a Boricua, I got excited and nostalgic to see Puerto Rican characters, food, traditions, and problems we are facing right now, like gentrification. What can you tell us about the importance of representation in books?
Countless studies say that children read more when they can see their experiences and/or cultures represented in books. When I was a young child, growing up in Argentina, I fantasized that I was one of the March sisters in the US, or Heidi in Switzerland, or Anne of Green Gables in Canada. I write to hopefully help a child see themselves in my books, or to allow young readers to imagine themselves in scenarios that are very different from their circumstances. 

Dorani Gutierrez is always fighting for what she believes in, like helping others when there is injustice, talking about the problems of banning books, and always raising her voice. How can we shift the perspective to emphasize that the voices and opinions of children are just as vital, and that adults should listen to and acknowledge their perspectives?
I think we can start by acknowledging that children are their own individuals who deserve respect. As adults, sometimes we forget what it’s like to be a growing child, and we need the reminders. Plus, the world our children experience is very different from the one most adults grew up in.

As a school psychology grad student, I was drawn to the themes of grief, family relationships, healing, therapy with animals, and prejudice at the schools. What can you tell us about your research process to include these topics in the story?
From my research I learn that stories can help us feel validated and seen. Grief sometimes is very lonely. To know that others have experienced our same sorrows, even if it’s in a story, is validating and empowering for young readers.

Who is your favorite character and why?
All the characters are my favorite, but I loved writing Oscar, the mom’s fiancé. He’s a good guy.

And, just for fun, name 5 random facts about you.

  1. I speak five languages.
  2. I have five children and two of them were born at home (on purpose).
  3. I know how to knit, crochet, embroider, and sew, but I can’t draw!
  4. I’m scared of the dark!
  5. When I was young I had an imaginary friend, a girl who lived in the mirror and I called “Amiga.” 


Ok, this was so fun! Thank you so much for your time, Yamile! It was a pleasure having you on my blog. Thanks again to Scholastic for giving me the opportunity to do this interview.


More about the author

Yamile Saied Méndez is the award-winning author of many books for young readers and adults, including Wish Upon a TrayThe Beautiful Game, the Horse Country series, and others. She was born and raised in Rosario, Argentina, and now lives in a lovely valley surrounded by mountains in Utah. She's a graduate of Voices of Our Nation (VONA) and the Vermont College of Fine Arts MFA Writing program. She's also a founding member of Las Musas, a marketing collective of Latine writers. When she's not writing books, she loves spending her time in nature, preferably riding a horse. Connect with her at yamilesmendez.com.

Wednesday, August 16, 2023

Silent Book Club - West Side, Puerto Rico

Hey! Did you hear the news? We have a book club! Silent Book Club - West Side, Puerto Rico. A book club without an assigned reading.
We are the first Silent Book Club chapter in Puerto Rico! (UPDATE: Now we have two chapters in PR!). We will meet once a month, from 3:30pm to 5:30pm (AST). Here's the timeline:
  • 3:30pm: People arrive, order drinks/food, share what they're reading.
  • 4:00-5:00pm: Quiet reading hour.
  • 5:00-5:30pm: Optional socializing with fellow book lovers, or just keep reading!
Where we will meet?
In Cabo Rojo, at Bukaino in Galería 100. 

The spaces are limited to 25 people. Please, be sure to register every month to reserve your spot.

Which book we will be reading?
That's the best part! Bring your own book; every person will be reading the book they want to read.

Who can participate?
Reader of any age.

If you are interested in launching another chapter, visit Silent Book Club for more information. You can also contact us, if you want to talk about the logistics, suggestions, or any help you need. 

Check out our Linktree for tickets and our Instagram to stay up to date with the book club. Happy reading!
Mariely's social media:


Andrea Carolina's social media:
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¡Hola! ¿Te enteraste de la noticia? ¡Tenemos un club de lectura! Silent Book Club - Área Oeste, Puerto Rico. Un club de lectura sin una lectura asignada.
¡Somos el primer capítulo del Silent Book Club en Puerto Rico! (ACTUALIZACIÓN: ¡Ahora tenemos dos capítulos en PR!). Nos estaremos reuniendo el una vez al mes, de 3:30pm a 5:30pm (AST). Aquí está la línea de tiempo:
  • 3:30pm: La gente llega, pide bebidas/comida, comparte lo que está leyendo.
  • 4:00-5:00pm: Hora silenciosa de lectura.
  • 5:00-5:30pm: Socialización opcional con otros amantes de los libros, ¡o simplemente siga leyendo!
¿Dónde nos estaremos reuniendo?
En Cabo Rojo, en Bukaino en Galería 100.

Los espacios están limitados a 25 personas. Por favor, asegúrate de registrarte cada mes para reservar tu espacio.

¿Cuál libro estaremos leyendo?
¡Esa es la mejor parte! Traiga tu propio libro; cada persona estará leyendo el libro que quiera leer. 

¿Quién puede participar?
Lectores de cualquier edad.

Si te interesa lanzar otro capítulo, visita Silent Book Club para obtener más información. También puedes contactarnos si deseas hablar sobre la logística, sugerencias o cualquier otra ayuda que necesites.

Visita nuestro Linktree para boletos y nuestro Instagram para mantenerte al tanto con el club de lectura. ¡Feliz lectura!
Redes sociales de Mariely:


Redes sociales de Andrea Carolina: